The internal rhythm in Poetry wadie hurayrat for aeshaa

Authors

  • Abdolrazagh rahmani Assistant Professor, Hormoz Research Center University of Hormozgan, Iran
  • eshagh rahmani Department of Arabic, Language and Literature, Faculty of Art, University of Shiraz, Iran
  • kawsar taghavifar Department of Arabic, Language and Literature, Faculty of Art, University of Shiraz, Iran

Abstract

between distinct features of ode music has a special place, and is an important for increasing beauty of   Literature text, music is not limited to the    wight and rhyme, but there is another kind of music that is created from whitin the   tent and communications is that related to that elements or caused by interior structure.  Asha   is one of the pre Islamic poets that has intercepted    this. there is a kind of attractiveness in Asha,s    poem   which is not  founded  in  the poems of  other  Islamics  poets. the causes of attractively is musicm,  which has led to a title as sanajat All Arab,  so this paper is to revise basis of  vedd and Harirha ode of Asha this  one  is  considered as a well –known ode of the poet and opened in of  Ashar repetition is one of the musical componants of ode   which   has an important role in creating music room poet is  able to creat  a rhythm  between  words and meanings.                                         

Published

2022-11-29