The aesthetic of the correspondence of the senses in the poetry of Khalid bin Yazid the writer 262 AH) - an analytical and descriptive study

Abstract

The follower of the old poetry finds that poets in general most resort to methods not intentionally, but on their character and taste and imagination fertile and this if it indicates something but indicates their ability to language and manipulation as dictated by the immediate experience of the poet or the situation that he is going through was one of these methods (correspondence senses) and through which the poet to mix and mix as well as does the painter when he mixes colors and produces new colors and the poet is not far from that It mixes between the senses according to the nature of each sense and as a result gets a sensory image stemming from the imagination of the poet image is not from reality, the poet has sensed and shaped in his imagination.   The research dealt with the phenomenon of correspondence senses in Arabic poetry (Khaled poetry writer model) where it was noted that this phenomenon in the poet's poetry has been dyed with the artistic features of the Abbasid era in which the poet lived, it did not come out of the technical framework known for this era, which was the most important features suitable printing of the workmanship in terms of camouflage and concealment until drowning it to what looks like poetic inspiration and therefore overlooked by the eye of insight that the recipient of poetr.