The feminization of language in the novels of Inaam Kachaji

Abstract

This study aims to Investigate the aesthetics of the feminist narrative language represented In the novels of Anam Kachaji, In terms of the nature of its treatment of topics related to women, and Its specificity in linguistic use compared to men’s narratives, which can be sought by noting the fundamental differences in their living experiencee, as men often He cannot write about experiencees he did not live, or describe them accurately and poignantly, and from here appears his Inability to express matters related to women, and thus his avoidance of delving Into these topics, or passing on them In a superficial, passing manner, including the topic of pregnancy, childbirth, and motherhood. In addition to the specificity of feminist narration with regard to the topic of description, the woman novelist In general prefers a lot of description, according to her nature, which seeks to pay attention to details and pay attention to small matters. This Is reflected in her texts, as they are often deep in description combined with other narrative elements. When contemplating Its descriptions, the recipient feels that he Is watching what is described and not just reading about It. - Inaam Kachachi’s characters were mostly feminist, and her narrative texts were often told in feminine language, blending with the world of women and depicting what is related to their life affairs, such as love, pregnancy, childbirth, and raising children... in addition to the precise description of everything related to their field of interests, such as clothing, cosmetics, and home furnishings... which reveals the nature of women who seek precise observation and attention to detail, and this is what achieves for feminist narration in general, and Inaam’s narratives in particular, their linguistic and artistic specificity.