الشخصيّة العجائبيّة في رواية عرس الزين للكاتب الطيب صالح

الملخص

The miraculous character has a clear dominance in the novel (The Wedding of Zein) by the writer Al-Tayeb Al-Saleh, as the writer created a clear vision of that character, at the level of style and the way in which he wrote the novel.

The writer tried to establish in his novel the acquisition of multiple characters, including the main character or the secondary character, in addition to the method of each character, in the image that he built and established for it, and then made it animated within the characters of the novel.

The writer formed his miraculous characters by drawing the features of each character, including the character that was drawn in a sarcastic caricature, or in a legendary image, as well as the image of the hero, which was represented by the character who plays the main role in the novel.

The writer presented precise techniques in narrating events, through the writer (narrator) who lives the psychological state of each character, and gives him his features and characteristics that are consistent with his position and impression, in his emotions and perceptions, until he is the character interacting with the reality that frustrates him.

The writer tried to establish in his novel the acquisition of multiple characters, including the main character or the secondary character, in addition to the method of each character, in the image that he built and established for it, and then made it animated within the characters of the novel.

The writer formed his miraculous characters by drawing the features of each character, including the character that was drawn in a sarcastic caricature, or in a legendary image, as well as the image of the hero, which was represented by the character who plays the main role in the novel.

The writer presented precise techniques in narrating events, through the writer (narrator) who lives the psychological state of each character, and gives him his features and characteristics that are consistent with his position and impression, in his emotions and perceptions, until he is the character interacting with the reality that frustrates him.

We tried to write the research according to an introduction to the miraculous character, and then delve into the research in two main axes. The first axis is represented in the study of (representations of the miraculous character and its transformations), while the other axis is represented by (the sarcastic caricature figure)