النص الحديث بين التشكيل والرؤية (سركون بولص انموذجاً)

الملخص

One of the confrontations that defines the path of a poetic text is its textual structure, which refers to the general composition of the text. This is determined by the nature of the poet and the culture they carry, arising from a vision laden with psychological and ideological connotations. Modern text appears as if it is composed of a network of interconnected relationships. The essence of the text can be understood through the signals and gestures present in its context. This study explores a model of a poet with a distinctive experience and a rich body of work. It addresses how the threshold is formed, as well as the significance of symbolism and the vision of rhythm.

The issue of formation and vision is an issue of criticism of modernity as much as it is an issue of poetry of modernity, and therefore it is not surprising that each of them is influenced by the other, in terms of depth and crystallization, and it is also not surprising that critical approaches to the new aesthetic formation and its justifications and levels are multiple. Form occupies an existence equal to content, and together they are one existence, one cannot be imagined without the other, they are one inseparable unit; and the division of texts into form and content is only a scholastic division.These elements together form an aesthetic formation that is the text in the unity and fusion of its elements, whether at the level of language, image, rhythm, or semantic and moral beauty.