Isomorphism In the poetry of Iraqi expatriates

Abstract

    The origin of the term morphology goes back to the scientific aspect and has entered the field of discourse analysis as an important tool for revealing the structure of the linguistic expression of the text. Including consistency, symmetry and approval.

  This concept is one of the semiotic phenomena that govern the structure of the poetic text. It may be fully manifested throughout the context, and it may be limited to a part of speech, so it is called partial symmetry.

   The morphology comes in many types, including those related to structures, and includes two styles: grammatical symmetry and rhetorical symmetry. The discourse, as for the formation based on the accumulation of the rhetorical structure, it is in several ways, including the metaphor based on similarity, or the sent metaphor and the metonymy, which contain two meanings, one direct and the other indirect. The morphology is based on the repetition of melody and sound, so it is called rhythm morphology

     The expatriate poets resorted to this procedure in formulating their poetic texts based on the association, which necessitates the encounter of two temporal moments, namely the past and the present, or two places, two ideas or two events governed by the principle of symmetry. Muhannad Yaqoub in his poem (Astiqaza) and the poet Ali Jaafar Al-Alaq in his poem (Markabat Altatar).