Music in poetry Study of interarts, thematic and practical analysis Tahir Zamakhshari and Abdullah al-Saykhan as a model

Abstract

This study discusses the relationship between poetry and music, and it aims to analyze poems that have a relationship with music and singing. This relationship can be seen as a description of the form of singing itself, or the singer, or the lyrics and its melodies and emotions. which has been called interarts. Further, it aims to discover the borders and dimensions that have been breached in poems by two Saudi poets, Tahir Zamakhshari and Abdullah al-Saykhan. This study focuses on three aspects: thematic analysis in both texts to determine the purposes of the general meaning of the poetic verses. The second aspect is practical analysis through stylistic linguistic recruitment related to the kind of verbs and their frequent use and stylistic patterns have been consistently used as they have been preferred by the poets. The third aspect is text relationships and symbolic referrals. Similarities and differences are found between both texts in their use of interarts between poetry on one hand and music and singing on the other.

As a result of the study, the panegyric has been juxtaposed with the theme of absence in the two poetic texts, and that the distinct use of language and the past verb especially, methods, and discourse tools have contributed to deepening the main ideas of both texts. Furthermore, the poet Tahir Zamakhshari relied on impressionistic subjectivity, while Abdullah al-Saykhan relied on intertextuality with songs and referred to historical figures' names. Furthermore, it is noticeable that the intertextuality has been driven through the songs, not to the poetic text.