Contrasting contrast in the poetry of Antarah ibn Shaddad, a study In Budaiya rhetoric

Abstract

Everything in existence has an opposite and an opposite that struggles to produce conflicting feelings and feelings about the psychological state that the poet goes through during his life’s journey. This study is based on the contrast between opposing words and its study is an innovating study through the Budaiya colors, which were represented by the tabaq, the interview, and other innovated arts related to the statement and meanings The opposite correspondence is closely related to the poet’s emotions and feelings, which result in conflicting and crowding words of sadness and joy, death and life, strength and weakness ... etc. It must be noted that this contrast cannot produce a contrast between two words without finding a relationship between the sender. And the future is in the succession of this encounter, so the poet sends the transmitter of this encounter by proving its presence in the same house, so the recipient receives it to discover its aesthetics The nature of the primordial contrast lies through the eloquence that God has broadcasted in His creation in general, and in His teaching the creatures the beauty of the primordial contrast by the contrast between the methods in which there are explicit and esoteric meanings in the text, based on an exploratory study of these methods in poetry (Antarah ibn Shaddad d. ). Perhaps many of the poetic studies associated with the poets of the pre-Islamic era have become dim in attendance among students of literature and writing professionals, and it is more appropriate to present our interests in ancient textual phenomena with contradictory foundations. And these are the first seeds of the different encounters that led me to choose him among the poets of the Muallaqat, Antara (male) and Abla (female).