Seeing the world in modern Iraqi poetry (2003 - 2019) Selected templates

Abstract

This research intends to present the topic (vision of the world) as one of the critical terms that have spread in recent decades, which is based on the study of the relationship between the creative work and the external world, away from the pictorial reflection, so the work of this central focus is focused primarily on the dialectic of the connection between the two texts. With its human dimension and society, depicting the group’s point of view in its struggle with reality with its aspirations, beliefs and cultures, and this vision was invested in Iraqi poetry after the occupation phase in explaining its position and vision towards the society in which it was born with all its changes and transformations, and its social class suffering.

      So I took this poetic vision in the Iraqi poetic texts to show the images of society according to the harsh conditions that took its structure under it, and it suffered from its economic, political, cultural and religious dimensions. And genocides according to artistic semantic visions culminated in creative and aesthetic imagination. The poetic text also tended with its linguistic entity to lure the vocabulary and issues of the external reality with its social components, trying to produce a new formulation that represents that influential relationship between literary creativity and society with its different and diverse structures, especially the structure (poverty, death, deprivation, war, politics, occupation) that accompanied Society and developed in the successive stages of Iraq after 2003, so poetry was able to identify and interact with these issues and portray them with the most sensual and semantic perception that represents the social trend of poetry in a rhetorical manner interspersed with connotations and implications expressing the structure of society and its social structure.