Poetic language and the deviation of poetic language by Hugin Saliwa at the structural level in exotic music

Abstract

The research, entitled “Poetic language and the deviation of poetic language of "Hawzhin Sliwa" at the Structural Level in the Collection "Unfamiliar Music” attempts to demonstrate, through stylistic methodology and structural analysis, how the poet employs repetition in his poems at the levels of sound, word, and phrase, as well as the ways these repetitions are deconstructed. We also aimed to determine the extent to which the poet has succeeded in this endeavor, and how skillfully and masterfully he has been able to integrate these repetitions into his works. In conclusion, it became clear to us that the poet has approached this task with great precision and deep awareness, which requires a perceptive reader in order to fully grasp these poetic repetitions.

This study consists of two main sections:

     In the first section, we discussed repetition at the phonological level (sound) and the morphological level (word-formation), which we divided into several points, including: the use of archaic words, illuminating words, everyday vocabulary, and dialectal repetition.

    In the second section, we examined repetition at the level of the phrase, which we further divided into several categories such as the repetition of verbs, subjects, objects, tools, as well as prepositions and introductions.

    Ultimately, we concluded that the poet has been highly successful in employing such repetitions, carrying them out with deliberate awareness, and presenting elegant and striking examples that enabled him to skillfully showcase his creative talent in this domain. All these elements have shaped a distinctive mark and a unique style that is attributed solely to him, since not every poet is capable of mastering or achieving such results.