The Duality of Life and Death in Abdul Rahman Munif's Novel "The Endings"
DOI:
https://doi.org/10.66026/afxzsp77Keywords:
Life and death, the novel (The Endings), Abdul Rahman Munif, the concept of life, representations of death.Abstract
In Abdul Rahman Munif’s novel *The Ends*, we find the story of a village in the desert—Al-Tayyiba and its people—who made their living through farming and irrigation during a bitter year of drought. The villagers’ eyes are fixed on the sky, hoping against hope that rain will fall to water and revive the land. When February and March came to an end —the rainy season—Munif portrays the village’s sorrow, misery, and disappointment, as well as the heavy, pent-up anger that envelops the elders, men, children, and women, saying: “And with the drought come other things as well: mysterious diseases arrive, followed by deaths. The adults were dying of grief, and the children’s bellies swelled and they were struck by jaundice, then they fell ill” (Munif, 1977, 10).
Abdul Rahman Munif’s novel *The Ends* is considered one of the most important literary works reflecting the crisis of social and human existence in Arab society in the late twentieth century. Munif wrote his novel during a turbulent historical period in which most Arab countries underwent significant political, social, and economic transformations. This novel marked a turning point in Abdul Rahman Munif’s literary career, as he sought through it to explore the suffering of the Arab people in the face of the forces of oppression, fear, and internal and external occupation.
The duality of life and death provides one of the main keys to understanding this novel, which stems from a profound existential idea and raises philosophical dilemmas and vital questions about the meaning of life and existence in the shadow of major upheavals. The contemporary Arab novelist Abdulrahman Munif has today become the true chronicler and chronicler of many of the nation’s events, and in this novel, the duality of life and death manifests as a structural and philosophical axis rather than merely a passing event in the narrative; it is a duality, it is a duality that operates on multiple levels, including the realistic, the symbolic, and the existential.
The novel belongs to the symbolic-realistic phase of Abdul Rahman Munif’s narrative oeuvre; it was published in 1977 and is considered one of the works in which he expressed his critical perspective on social transformations in the Western Desert. The novel revolves around the character of “Asaf,” who becomes entangled in the labyrinths of a difficult and complex life after facing famine and drought, ultimately ending up in a phase dominated by feelings of disappointment, helplessness, and death. The novel serves as a reference to the great collapse experienced by Arab society in the post-independence era of the twentieth century.We began our research by examining the duality of life and death as a general theoretical framework, then moved on to elucidating the manifestations of this duality in Abdul Rahman Munif’s novel *The Ends*. In the first section, we examined the concept of life in the novel in detail, supported by textual evidence, while we devoted the second section to analyzing the representations of death therein, drawing on various examples that reveal its semantic and artistic dimensions
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