“Some Semantic Deviations in the Poetry of (Mina Jaf)

Abstract

Semantic deviation is a type of feature of the structure of poetic language. Therefore, every poet adopts a particular style in using it, and no poem can be found without some forms of deviation. However, the condition is that the deviation must be artistic, so that it leads the reader perceive new and fresh meanings.

In the collection of Mina Jaf’s poems, semantic deviations can clearly be observed. Each instance appears in different forms, including deviation in terms of manner, function, and appropriateness. The use of such deviations in any poet’s work often creates certain ambiguities. Therefore, in this study, it is aimed to clarify those ambiguous points in order to understand the poet’s intention behind employing such deviations.

This is because the poetic function of language differs from that of ordinary language. Thus, the words of poetic language are not necessarily used in their standard dictionary meanings, and it is not essential for them to conform strictly to grammatical rules. In contrast, in ordinary language, words must be arranged according to grammatical rules.

For this reason, deviation is used as a tool for producing poetic expressions. Poetic language is a form of deviated and transgressive language in relation to ordinary language, possessing its own specific rules. This ultimately serves the purpose that the writer and poet strive to achieve.

To add another function to grammar, such as pleasure and beauty, in ordinary language, artistic values do not have such a strong presence, likewise, in poetic language, writing in an ordinary way does not affect the reader, and the poet cannot achieve their intended purpose. Therefore, the poet creates a more elevated and more expressive language.

For example, in the use of meter and rhyme, the poet—aiming to build a strong musicality in the poem—searches for harmonious and rhyming words without binding themselves strictly to grammatical rules. If they adhere too closely to grammatical rules, obstacles may be found in their way. Thus, the poet seeks other linguistic elements that suit the nature of their work—elements that provide both musicality on one side and meaning and content on the other—so that they attract the reader’s feelings and engage them with the text.