Character Construction in Saad Saeed’s Novel (Thirteen Nights… and a Night!)
DOI:
https://doi.org/10.66026/34145a07Keywords:
Novelistic character; Character types; Character dimensions; Iraqi novel; Saad Saeed.Abstract
This paper examines character construction in Saad Saeed’s novel Thirteen Nights… and a Night! as a structural core through which narrative movement and meaning are generated. It approaches the character not as a flat agent that merely carries events, but as a network of relations and traits realized in discourse through description, dialogue, confession, and focalization. The analysis centers on the protagonist-narrator (Yassar), whose nightly confessions shape the narrative frame and reveal a trajectory from vulnerability to self-interrogation and moral reckoning. The study also explores mediating and supporting figures that propel the plot and intensify tensions, most notably the police officer Abbas Mahmoud Zaki, whose role shifts from an apparent listener to an emblem of latent violence, as well as secondary characters that illuminate, facilitate, or obstruct the protagonist’s path in love and exile. Character dimensions are discussed through three interrelated levels: the physical dimension that builds a sensorial image and indirectly signals inner drives; the social/intellectual dimension that foregrounds the character’s position within community, ideology, and class–political conflicts; and the psychological dimension manifested in fear, shock, rupture, and transformation—markers of the novel’s experiential depth. The paper argues that the novel constructs its characters on a dialectic of mask versus confession, and on the entanglement of memory and reality, turning character into a key to understanding both narrative dynamics and the representation of the Iraqi individual caught between love, oppression, and displacement.
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