Methods of artistic portrayal in the hadith of the worldly conditions of the believer and the unbeliever

Abstract

The artistic depiction in the noble hadith is an artistic phenomenon in the honorable hadiths of the Prophet and they took it as a means to express the purposes of religion, so beauty was associated with belief, history, and literature. In this study, we deal with “the function of the artistic image of the worldly conditions of the believer and the unbeliever”, which is one of the important topics that we dealt with in the noble hadiths through research and excavation. Its purpose is to clarify the image in the honorable hadith, a purposeful image, that carries an Islamic vision of life, the universe, and the human being in this world, and a statement of all that is related to the conditions of the believer and the unbeliever in this world, and other issues that branch out from it, all of which are related to the artistic image in its rhetorical significance, so the artistic image in the honorable hadith It seeks to build human thought, reason and feeling And behavior. The main research question will be, what is the image of the believer and the unbeliever in the world in the hadith and what are the methods of portraying it? This study uses the descriptive-analytical method to identify and explain human models, and we mentioned in it the most prominent models of the believer and the unbeliever, by drawing an artistic picture of both of them, defining their outward features and features in the world. And when the artistic image draws these models, it aims at diversifying its functions, to achieve the religious effect, which is the main goal of photography, because human nature is affected by human models One of the results of the study is that the artistic image in the hadiths of the Prophet is based on embodying meanings and highlighting them in a tangible image. And it is not an assignment, nor complication, nor ambiguity in its words and phrases, as it is clear and characterized by the usual course, along with the distance from strangeness and confusion. Then it remains for us to refer to the methods of artistic depiction, in the believer and the unbeliever, such as the symbolic method, the analogy method, the sarcastic metaphor method and sensory style.