Multi-origin in contemporary Iraqi painting

Abstract

The research aims to engagement with philosophical arguments that dealt with the origin of sense in light of what he suffered (Foucault, Derrida, Heidegger) in their different visions about the concept of discourse of knowledge, that Described as speech cumulatively sequentially, as these cumulative historical produces differences and Discriminations according to time reference realism and givens and social imperatives of the historical evolution and dynamics, which means certainly kinetics epistemological frame the effort cognitive done visually, and confirms Heidegger on the origin centered three trends is the artwork and the artist and the reference aesthetic, and makes his questions the primacy of one of them on the assumption that only the original, but the final outcome up to the fact that the multi-proliferative and at the same time originally, and so can not delivery the origin of one based artwork reference.