Mental image and its applications in Pottery old Iraq

Abstract

Formed amental picture ofthe starting point oftheancientIraqiartregardedasthe real beginning ofthe idea of​​crude, which was the basis for theemergenceofmany works ofpottery, implicationsofexpressingideas and beliefsMathmlhofalldescriptionsandsymbolshave become asignificantpartoftheancientcivilization of Iraq.

The discussion dealt withthe mental imageand its applicationsinthepotteryof ancient Iraqand its relationshipMoundzartisticpotter, as research has includedfour seasons, Mefirst, including the methodological frameworkfor research andcontainedaresearchproblemthat has beenthehighlightofthe indicators thatcontributed to theformationofa mental imageinthe old Iraq, as well as the importance of researchandtheneed for it, and theaim of the researchrepresented by(knownmechanismsoffunctioningofmentalimagesinthepotteryof ancient Iraq), while the limitedboundariesofresearchon the study ofpotteryfrom the beginning ofthe old Babylonian eraanduntil the end(2004-1500 BC). M., researcher hasidentifiedsometermsanddefined.

The second chapterhasincludedtheoreticalframeworkwhichcontainedtwo topics, takingfirsttopic:the concept ofmentalimagephilosophicallyandpsychologically, while Mesecondsectionb: the mental imagein the mind ofthe old Iraq, down to the indicatorsresulting from thetheoretical framework, and endedthe second quarterwith previous studieswhereresearcherdid not finda previous studysimilar to thisstudy.

Singledinthe third quarterresearcherprocedures, which includedthe research community, which has beenconfinedtob(72)model, andconfinedinthe research sample(5)samplesandtheresearcheranalyzedaccordingtodescriptive analytical method.

MeChapterIVof the most importantfindings and conclusions, suggestions and recommendations.

Theresearcherfounda number ofresults, including:

1. Workedinthemental image ofthe old Iraqiarton the axis ofshorthandandModulationandabstraction.
2. Mental imageIworkedin the art ofancientIraqtothe concept andmeaningthroughsubmissionofconceptsand meanings.
3. Theresearcherpresenteda set of conclusionsonthebuiltaccordingtothefindingsofthe results, which include:
4. ThementalityofpotteryinancientIraqhad the advantage ofanopenmindworkingthroughthe concepts ofreductionandmodificationonthecreativityofthe forms andsymbolsofthe implications ofintellectualandaesthetic.
5. Meaningforman important goalofthepotteryinthe old Iraq icommunicateid easandbeliefsandsubmittingformsinnaturetoAtkhalosenseofideologicalandmythicaladditiontotheaestheticsense. Thesearchendedwith a listof sources .