The Aural Image in the Apologies of Al-Nabigha Al-Dhubyani

Abstract

Our primary goal in this research is to memorize the sense of hearing in the creative fabric of the apologies of the genius Al-Dhubiani, so we seek - technically - to study the audio image and how the image was drawn in the apologies of the genius through the sounds of words and their impact in the poetic performance to evoke the sense of hearing alone or with the participation of other senses. They divided the research into an introduction and two sections, and a conclusion containing the results of the research. As for the introduction, it deals - with some brevity - with the idiomatic definition of the concept of the audio image, then the definition of apologies - how and how - and how the urgent desire of the genius to apologize to Al-Numan Ibn Al-Mundhir, and remove the barrier of estrangement between them was a motive Technically, due to the prevalence of the audio image - as a phenomenon - artistic in his poetic texture, his urgency in apologizing made the poetic stance To evoke the sense of hearing alone or with the participation of other senses, and they divided the research into an introduction and two sections, and a conclusion that contains the results of the research. For Al-Nu’man Ibn Al-Mundhir, and removing the barrier of apathy between them was an artistic motive for the prevalence of the audio image - as an artistic - phenomenon in his poetic texture.        And the first topic we divided it into two axes: the first: readings with an auditory tendency, which are the readings that have an auditory character, either through the audio outlets that represent purely auditory foci (such as the words of pronunciation, hearing, saying, interrogation, supplication, prohibition, call, order ... and other audio outlets with which it began The poet reads his apologies), or through explicit audio images, such as the image of war, or some moral audio clips in which he addresses the genius Al-Numan bin Al-Mundhir. Appeasement, which gathered under the auditory umbrella of the genius's apologies         The second topic: We divided it - as well - into two axes: the first: we monitored the sources of the audio image in the apologies of the genius, which the research invoked in three patterns (environmental sources - social sources - psychological sources), the second axis, in which we monitored the graphic formation of the audio image in the apologies of the genius Starting with the analogy that rises on the sense of hearing, then the metaphor that performs auditory functions, then the metaphor that forms the auditory image.         At the conclusion of the research, we list the most important results that he reached.