The technique of postmodern concepts in Bayan Salman's The Celebration of Repentance according to Jacques Derrida's abolitionist theory

Abstract

This study, titled "Postmodern Conceptual Techniques in Bayan Salman's Novel (Ahangi Tobakrdn) in Light of Jacques Derrida's Deconstruction Theory," is a serious attempt to uncover postmodern narrative techniques in this novel. Postmodernism embraces diverse critical currents and ideas that sought to challenge and undermine the established classical and traditional foundations of literature and art. One of the most prominent critical theories that emerged from the growth of this critical movement is the deconstructionist theory of philosopher Jacques Derrida. Based on the concepts presented by this theory, we focus on Bayan Salman's novel (Ahangi Tobakrdn) finding that the novel follows a path parallel to the principles of this theory, making it the ideal subject for our research. This study was conducted according to the methodology of deconstructionist critical theory, with our main objective being to identify the artistic techniques employed. The novel in light of this critical perspective.

The importance of this research lies in the fact that it addresses a topic that has not been studied by Kurdish scholars. The study is structured as follows: an abstract, an introduction, two main sections, and a list of sources and references. The first section explains the concepts, terminology, definitions, historical roots, and fundamental principles of postmodernism, while the second section is dedicated to practical and critical application. What is the meaning of the word: What is the meaning of the word “how” and “how” and “doobish” and “enjam” and “list of sirchakan” پێکاتوە. Some of them are: Zaraweh, Chemak, Beynasa, and Mezhou Pashnoy Khawazi. Something wrong: a difficult practice.